wall space gallery | the flat file

February 1, 2012

David Myers – Confined Visual Synonyms

Filed under: artist reception, color, digital, documentary, environment, Uncategorized — The Flat File @ 8:29 am

David Myers is a Washington DC based artist and his newest series, Confined: Visual Synonyms opens this week at Hillyer Art Space on February 3rd. David has a diverse portfolio of images, and always creates a body of work that is visually striking and emotionally impactful. I have seen many of his images in black + white, but this series, in vibrant rich color on contained wildlife, is a visual treat. Contained wildlife… is that an oxymoron, or purely the conflict and burden we carry when we think of zoos and aquariums? David’s series seduces us into the beauty of the surroundings, until we take a second look at scale, at the tension, boundaries of not only the zoo confines, but the darkness that surrounds us as we become voyeurs looking into the cages. I think we all carry this conflict with us, knowing that we want these animals ultimately to be free, yet without these living museums, many of these creatures we would never see. David’s work is without judgement, it is not crafted into a romantic, nor harsh vision of treatment or ethics. It is a illustrative document, for all of us to bring our own conflicts about the subject, and make our own decisions.

If you are in DC on Friday, please stop in, say hello to David for me, and take a look at this beautiful series of images.

Confined

Polar Bear

Coon

Tiger

Orangutan

Boar

Penquins

Jelly

January 25, 2012

ND12 – Norihisa Hosaka

Burning Chrome. Norihisa Hosaka, part of Crossing Territories, created a world visually reminiscent of the film Blade Runner, with bright lights and a vision of a restless society in his native Japan. His technique, using HDR, highlights this super real, almost science fiction reality. Not just a study of place, these landscapes show the motion of people, of who has transited this place, seemingly immune to what is around them.

From Hosaka’s statement -

I am currently taking landscape photographs of Tokyo under my favorite theme, “Retrospective Luminescence.”

In the 80’s, key word in cultural movement was Cyberpunk; the 21st century near-future Tokyo viewed in movies, literature and music. The chaotic image of Cyberpunk Tokyo has become a fixture by the 90′s. [2]
Today, the image of near-future Japan created three decades ago, Cyberpunk Tokyo, seems somewhat a nostalgic reminiscence and has become one of the fictitious histories of Tokyo.

We realize that Tokyo has not become the cyberpunk city we often seen in the films. However, I feel a possibility of Tokyo and Japan becoming something we have envisioned in the 80′s. I want to take photographs of not now, not the past, and not the future but of a mixed timeline.

DECAY of LIGHTS: Shinjuku Yunika Vision

DECAY of LIGHTS: Shibuya Tsutaya

DECAY of LIGHTS: Shinjuku FUSA's

DECAY of LIGHTS: Ginza Ring Cube

DECAY of LIGHTS: Shinjuku Frente

January 24, 2012

ND12 – Greer Muldowney

We focus on size today, and the ability to fill a frame. Crossing Territories artist Greer Muldowney has managed to convey significant size in a small package. The boundaries in her images not only look at constricting space, its also about how we constrain people as well. The images in her series, 6,426 per km2, Greer looks at how we create density in a small space, in this case Hong Kong. Her work is vibrant, structural, and highly detailed. The best part is the images don’t take up an entire wall to make the point. At 20×24 inches, she has managed to give us the feeling we are standing on a curb looking into these structures.

from her artist statement -

At 6,426 people per km2, Hong Kong boasts the most densely populated urban center in the world. The reality of sustainable practices, depletion of resources and a shifting global power paradigm pervade media involving China, and its Western syndicate territory, Hong Kong. By making imagery here, I ask viewers to contemplate these issues, but to also see these places as homes; not statistics. As the living cities and infrastructure that address cultural standards and progressive technologies. These photographs do not propose a reality so different from the spin of contemporary media, but asks an audience on the other side of the world, the Western world, to reflect on whether these images provide a surrogate for wonderment or trepidation for a changing global climate and future.

Kwai HIng

Cheung Sha Wan #2

Cheung Sha Wan

Aberdeen

Lai Chi Kok

January 17, 2012

ND12 – William LeGoullon

Crossing Territories artist William LeGoullon has a unique perspective, scientific yet creative. His abstract images evoke geologic rock slices, star charts and even stained glass windows. Taking liquids and converting them to solids, the objects under the microscope take on a mysterious aura, making us ask questions, wonder and delve into the ideas behind the images.

Here are some of the answers. Bill’s Artist Statement.

My latest works express my fascination with beverages, the variety of methodical processes through which we craft them, and the detailed makeup of each liquid we drink.
Stemming from my work as both an artist and as a barista and bartender, my interest is in concocting a recipe of beverage culture, art, science, and theory with regard to what we as humans consume. I am continually inspired by observing what has been left behind, the pieces that make up the whole, and the clues that inspire examination. In this series, I treat the world’s top five most consumed man-made beverages like scientific specimens, allowing each liquid sample to dry before photographing them using a microscope. The resulting images provide us with a chance to analyze these fingerprints of drinkable culture as an act of art consumption.

what do these images evoke for you?

Tea Stain

Beer Specimen

Cola Specimen

Coffee Specimen

Wine Specimen

November 19, 2009

Lishui Photo – Karen Strom

Filed under: composite, digital, lishui photo festival, Photolucida, ReviewLA — The Flat File @ 8:05 am






Karen Strom is one of a pair of Stroms. Her husband, Stephen is a photographer as well. Both Stroms are accomplished scientists, who have now focused on creative endeavors. Stephen’s work, abstract large scale landscapes, was profiled earlier this month as part of the Lishui Festival. Karen’s work is significantly different than Stephen’s in her process, eye and creative focus. Her composited works create environments, visions and scenes that are often miles apart. Her blending of textures creates what she calls Architectonics.

Here is more about her process -

“The world I see is composed of many different layers, scales and moments. When making an image, I explore the relationships between multiple facets of the world, integrating them into a single vision in an attempt to mimic the manner in which the mind forms composite impressions from the array of images that are constantly impinging upon you. While the resulting images often evoke disparate, even conflicting, responses, they ultimately capture a more complete impression of a landscape or object: details are synthesized into broader views; interiors integrated into exterior views. It is the ambiguity of my images, the feelings evoked by differing scales, perspectives and viewpoints, that together work to yield an integrated image of a landscape. It is these visions that I then attempt to translate into a single image, hoping to evoke similar emotional and intellectual responses in the viewer. “

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