wall space gallery | the flat file

January 25, 2012

ND12 – Norihisa Hosaka

Burning Chrome. Norihisa Hosaka, part of Crossing Territories, created a world visually reminiscent of the film Blade Runner, with bright lights and a vision of a restless society in his native Japan. His technique, using HDR, highlights this super real, almost science fiction reality. Not just a study of place, these landscapes show the motion of people, of who has transited this place, seemingly immune to what is around them.

From Hosaka’s statement -

I am currently taking landscape photographs of Tokyo under my favorite theme, “Retrospective Luminescence.”

In the 80’s, key word in cultural movement was Cyberpunk; the 21st century near-future Tokyo viewed in movies, literature and music. The chaotic image of Cyberpunk Tokyo has become a fixture by the 90′s. [2]
Today, the image of near-future Japan created three decades ago, Cyberpunk Tokyo, seems somewhat a nostalgic reminiscence and has become one of the fictitious histories of Tokyo.

We realize that Tokyo has not become the cyberpunk city we often seen in the films. However, I feel a possibility of Tokyo and Japan becoming something we have envisioned in the 80′s. I want to take photographs of not now, not the past, and not the future but of a mixed timeline.

DECAY of LIGHTS: Shinjuku Yunika Vision

DECAY of LIGHTS: Shibuya Tsutaya

DECAY of LIGHTS: Shinjuku FUSA's

DECAY of LIGHTS: Ginza Ring Cube

DECAY of LIGHTS: Shinjuku Frente

January 20, 2012

ND12 – Brook Reynolds

Brook Reynolds, part of Crossing Territories, has images that are seductive, introspective and gorgeous to look at. Her striking gelatin silver prints are full of great contrast, rich blacks, details in the shadows. Technically stunning, these images are also introspective, quiet, and allow us as viewers to fall into the organic shape and  lose ourselves.

Taking simple inconsequential objects, Brooke makes them important and unordinary.

From her artist statement -

Enso photographs are  created by the process of combining slow exposures with motion, and inspired by the practice of Soto Zen Buddhism. Enso is the Japanese word for circle, and is a Zen symbol for the endless interconnectedness and impermanence of all life. According to a Japanese story from the 8th Century, the Zen Master Kyozan created the first enso painting in response to a monk’s request for a gatha, a written poem or statement, expressing enlightenment and said, “Thinking about this and then understanding it is second best; not thinking about it and understanding it is third best.” He did not say what is first best.

We show only five images here, based on her submission to New Directions, but take a look at her website to see more of these beautiful images.

Human Hair Enso

Petrified Wood Enso

Snake Skin Enso

Razor Clam Enso

Wild Rose Enso

November 10, 2009

Lishui Photo – Stan Raucher

Filed under: black and white, lishui photo festival, Photolucida, portfolio reviews — The Flat File @ 5:41 pm






Stan Raucher has been traveling the world, capturing the streets of Paris, Latin America and soon, China. I can’t wait. I have been watching Stan grow as a photographer over the last few years, and his newest group of portraits I have found really lovely, engaging and intense.

Stan started as an observer, photographing the life he saw around him, now he is a participant, engaging his subjects, and the change is evident.


Here is Stan’s statement about his process.

Using natural light and a bit of serendipity, I strive to create compelling black and white photographs that provide a glimpse into aspects of the human condition.

My candid photography documents ordinary people going about their daily lives in public spaces. These images capture fleeting moments, spontaneous gestures and the ephemeral juxtaposition of people and their surroundings. They depict situations that are unexpected, mysterious, humorous, bizarre or poignant. These photos are neither posed nor staged and I do not interact with my subjects before or after photographing them. Creating these images requires both quick reactions and a great deal of shoe leather since there are no second takes for this type of photography.

My portrait photography conveys a distinctly different sensibility. Portraits from Latin America documents people I have met during my journeys through this region. Although these encounters are brief, I attempt to delve beneath the surface and reveal insights into the lives and character of these individuals. These photographs portray a variety of temperaments and display a range of emotions. Making these portraits involves genuine interpersonal interactions that transcend language and cultural barriers.

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